Training Exercises: Leg Yield Under Saddle

Beginning Leg Cues

Well-trained horses use leg cues, face cues, and seat cues to anticipate what their rider wants them to do. A really well-trained horse and rider can perform with leg and seat cues alone. That is the fancy “bridleless” horse you see at exhibitions.

Leg cues are used to tell the horse which part of his body to move which direction. Leg yields are used specifically to move him laterally. I am not a dressage rider. However, here is a picture of a friend riding Cadence (half Friesian- half Arab gelding) practising a Sidepass maneuver, asking the horse to move off her leg and track to his left. Simply put, your horse will feel your leg or heel pressure on a certain spot on his body, and move away from the pressure (Yield) with that part of his body.

The horse learned during his ground training that moving away from pressure will end the pressure. This is central to his understanding under saddle that he should do the same: move away from the pressure.

English riding is different from Western riding because the Contact with the horse is different. There is very little gear between the horse and the rider’s legs in English riding. Leg cues are felt more precisely and more easily. The whole leg from seat to heel is in play. I am not an English rider, but I believe that English cues are more involved with the knee and calf with some heel (see the shoulder-over in the pressure-points picture above. For an English rider, the knee is pressed into the shoulder.) In Western riding, most of the lateral cues are given with calf and heel. All of the equipment between the horse and the rider’s legs makes it difficult to use whole-leg cues in a precise way, and they rely more on heel pressure for spins, lifts, and disengages. You can place your heel more precisely and it has more direct contact with the horse’s actual body.

Most of this discussion centers on Western riding.

Two legs pressuring his girth in a “neutral” position (neither forward nor behind the girth) moves him straight ahead. Right leg pressuring his girth (slightly forward of the middle) will move his shoulder to the left. Right leg pressure behind the middle (just in front of the back cinch line) should move his hind quarters away to the left. Right leg pressure middle should help him move his rib cage up and move his whole body left. (This leg-middle position is also used as a pivot-point when asking him to bend around your leg, but the rein cue is different.)

The goal is to have your horse move his body off of a leg/heel pressure so slight that a by-stander cannot even tell that you have moved your leg or requested any action from your horse. It is difficult for both the horse and rider at first. But, after practice, both of you will become fluid and much more relaxed. (Also see Contact)

It is the first stage of all precision riding. For weekend trail riders, it is important to be able to maneuver your horse away from trees on the trail, toward gates for opening, turning around in tight or dangerous places. An additional benefit: any horse being asked to “dance” by moving this way and that quickly and smoothly will also automatically collect and balance better. He will put more weight on his rear, making him much more agile. He will look more attractive, his physique and muscles in his back will improve, his attitude will be more engaged, and his ride will be smoother.
See Pressure Points of a Horse

Rear Leg Yields Under Saddle

A beautiful video of a young horse being taught to disengage his rear and his front under saddle. You may not find it quite as easy as this looks, but if you have done your ground work well, your horse should pick this up fairly quickly. Notice how she accepts a baby step at a time.

Start the Rear Disengage (western riding)
Mount your horse and stand still for a minute or two in the center of the ring. Do some flexing of his head and neck to set the tone and loosen his attitude. Now, take up your reins. Sit tall, but turn at your waist and look at his rear and your foot to start introducing him to the feel of your body changing its weight distribution vis-a-vis your seat bones (a seat cue). Simultaneously ask your horse to bring his head around softly to start him bending in the right direction. (Adjusting YOUR position is frowned upon with English riding. We start by adjusting in Western riding, and exaggerate in the beginning to help the naturally-trained horse to take notice of his rear, as you are doing. This “twist” will become more subtle as the maneuver gets easier.)

Using the same steps described on the ground, replace your “hand” cue with your leg/heel. Use your left heel to swing his rear right and your right leg to swing him left. Press with the calf and heel in the rear-girth pressure area. (Exaggerate this movement to make it more obvious and be sure to take your OUTSIDE LEG OFF of his body. This “opens the door” on the off-side for him to move through – away from the pressure without running into pressure on the other side. Exaggerate the “open-door-no-pressure” outside leg position.)

If the horse doesn’t move (the usual first try), then take up the end of your rein or your small crop and lightly tap his rear so that his attention is drawn to that area of his body. Because this tapping for movement is a familiar routine, the horse will probably understand this in just a couple of tries. Resist the temptation to kick. The fanny-tap is easy to understand and you have used it before. Once the horse takes a step or two, release the leg and the rein just as soon as he stops moving his feet and relaxes his neck.

Kiss a little to get movement. If you have an observer, ask your partner to tell you if your horse is moving with correct foot pattern. Ask for only one or two steps at first. RELEASE. Stop and rest.

If the horse insists on walking forward, Take up the position on the fence demonstrated in the video above. The fence will act as a barrier to his forward movement and help him decide what you want by eliminating wrong decisions.

Exaggeration is a key element of training. While I don’t expect you to ride with your legs looking like open scissors, we must exaggerate for both the unschooled horse and the unschooled rider. Both will develop subtlety later.

Practice until your horse twirls with precision and speed. Done correctly, his rear moves all of the way around his front leg. You should be able to look at the ground and see that his inside front leg has “drilled” a hole into the ground and his rear legs have walked around it.

Tip: Get good at this before moving to the front shoulder-over. You may have to use a fence with your horse parallel to the fence but his haunches closer than his front. You can achieve that position if he knows how to move his rear over without drama.

Front Leg Yields Under Saddle

1. Tip his head the direction you want his shoulders to go, press your outside heel into the spot right at or just forward of the girth to “push” him the direction you want him to go.

2. Unlike the rear disengage, try not to twist your body. That re-adjusts your fanny bones and might tell him to disengage his rear. (It also automatically brings the wrong leg into contact with his body, so take care to leave the inside leg OFF his body – open the door for him to move around.)

3. Sit back slightly – particularly if he has already mastered the “relax-back” position of a “whoa” seat cue. You want to put your weight slightly on his rear so that his front can spin easily with all of the weight on the rear. If his forward movement is also inhibited by the “whoa” position, so much the better.

4. Kiss a little to get movement.

Tips: Use the fence again if necessary to stop forward or backward movement. If you are too occupied with getting movement to watch his feet, use your friend again to tell you if the feet are moving correctly. Ask for baby steps and then more and faster.

Horses who prefer to move their rear instead of their front may disengage their rear instead of moving their front over. If he moves his rear away instead of moving his front in the direction you want him to turn, set your horse up against the fence “haunches in”, so that his fanny is close to the fence on the off side. That will keep him from swinging his rear away when you ask for the front-only movement.

As he takes more steps around the circle, you are starting to get the front spin. Getting a beautiful and fast spin is an art. These simple starting instructions probably won’t get you to that point, but they are a starting point.

Beginning Shoulder Over
A fancy spin is fun and flashy, but rarely needed or used by the weekend rider. Most people are interested in moving the horse’s shoulder over to get more subtle direction changes using their leg. Now that the horse is moving away from your forward leg pressure, start spiralling out from the center of the round pen to the outer edge moving both forward and laterally simultaneously.

Start in the middle of the round pen and move off at a slow walk toward the rail. To spiral clockwise, press your left leg just in front of the girth and remove your right leg from his body. This might take considerable strength for legs that are not used to pressing. You may feel like you are pushing the whole horse with all of your strength. He should begin to move both forward AND to the right, easing his way to the rail. When you get there, he should be feeling the need to go to the right when forward movement is no longer possible.

If he complies and moves laterally as well as forward, lighten the pressure, and only reapply it if he stops moving laterally. When you are at the rail and moving along it, remove the leg so he can travel forward along the fence in the usual manner. Make the circle and then return to the middle. Stop and rest.

If you don’t get any lateral response as you move out of the middle, use your right rein to give his head a tiny hint to the right. (If you have done your lateral flexes properly, he should be “thread soft” to this cue and understand your desire to move right. Try not to use the face cue if at all possible. If you must, it FOLLOWS the leg. Don’t continue to rely on it as your first and main communication.

Repeat this spiral many times, until he seems soft to the pressure and circles out easily. Then train his other side.

After he has done this in the round pen over and over, he will anticipate that when you leave the center of the ring, you will spiral out to the rail. He is not necessarily thinking about the leg so much as the pattern of the exercise, taking a very subtle cue to indicate your intended direction. Now it is time to go to a less-obvious fenced area: the arena.

Ride the rail in the arena a couple of times to loosen him up. Then go to the center of the arena and move him forward with your left leg on and right leg off. This should head him on a diagonal toward the right rail. Horses are generally practised more going toward the rail than leaving it, so he will be less likely to make a mistake and try to go against your leg.

When he seems easy about moving toward the rail on both sides, start at the rail and move to the center. As you ride the long side, begin to pressure him (leg) toward the middle – away from the fence. He should drift easily inward. If he doesn’t drift, use the inside rein to quickly (but gently) “jerk” his head toward the middle of the arena. It is not a heavy-handed jerk, but it is a tiny bit startling. That should get his attention toward moving that direction. (Be sure your inside leg is off so that he can move easily.)

Soon you should be able to drift toward the rail and back toward the middle and back again with ease.

Drifting is the first stage of moving directly sideways.

Move on to Sidepass

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